The Collection Database

Hergé

Le fétiche Arumbaya

Hergé – Les Aventures de Tintin – L’oreille cassée – Le fétiche Arumbaya – ref. 46961 – Pixi – (2008) Inspiré des Aventures de Tintin – L’oreille cassée – Version 2008 Résine peinte à la main – Hauteur: 46,5 cm Tirage limité numéroté /2200 exemplaires – Avec son certificat numéroté Dans sa boite bleue d’origine avec polystyrène Epuisée chez l’éditeur

Dupa

Cubitus

DUPA (Luc Dupanloup dit) CUBITUS Encre de Chine pour le gag 167 en 4 strips, publié page 27 du tome 9 de cette série « L'ami ne fait pas le moine », publié en 1984 aux Editions Dargaud. Prépublié dans le Journal Tintin. 47 x 36,3 cm. Acquis aux enchères chez Artcurial.

Belgium.Dupa.1

Greg

Achille Talon

Planche originale de la bande dessinée Achille Talon et l'île du r... Travail à l’encre de chine non signé de Greg. Taille : Acquis à la galerie 9eme Art. http://www.galerie9art.com/

Belgium.Greg.1

Marc Hardy

Pierre Tombal

Dessin de la bande dessinée PIERRE TOMBAL (cases alternatives). Marc HARDY. Taille : 33x16

Michel Blanc-Dumont

La jeunesse de Blueberry

Planche originale de la bande dessinée "La jeunesse de Blueberry", tiré de l'album "La Sirène de Vera Cruz", Dargaud, Bruxelles, 2006". Travail à l’encre de chine signé Michel Blanc-Dumont. Taille : 36x45 Acquis à la galerie Napoleon. http://galerienapoleon.com/

Belgium.Michel Blanc-Dumont.1

Kristina Kostadinova

Pantheon Budludja

Formée en illustration et en design, Kristina Kostadinova a choisi de travailler avec différents médias pour transmettre ses idées au-delà du visuel. Dans cette optique d'expérimentation artistique, le médium photographique est ainsi au coeur de son livre de photographies "Amnesia". A propos de ce livre, elle nous livre les propos suivants : « la célébration d’un anniversaire soulève toujours des questions à propos du passé, du présent et du futur. Le cliché selon lequel « une nation qui ne respecte pas son passé ne peut pas respecter son passé » est malheureusement vrai. En Bulgaria, il existe plus de 150 monuments construits entre 1945 et 1989 par le parti communiste bulgare. En 2009, nous avons « célèbré » les 20 ans de la « démocratie ». La plupart de ces monuments sont dédiés à l’armée soviétique et aux rebelles communistes. Certains ont été défigurés et mis en pièces par les bombes et les mitraillettes. Ces vestiges gigantesques se dressent toujours, fantômatiques, figures errantes et invisibles. Aujourd’hui, la nation est étourdie, distraite. Pas de devoir d’entretien…Pas de devoir de mémoire… Durant un mois, j’ai visité plusieurs monuments et mémoriaux célèbres de Bulgarie. A travers mes photographies, j’invite les spectateurs à regarder attentivement et à participer comme ils le souhaitent. Nul chronologie ou ordre précis. Je photographie ce que je vois, brut et réel. Sans m’impliquer vraiment personellement. Mais au fil de mon voyage, je suis allée au-delà de la photographie documentaire : le réel et l’imaginaire, la brutalité et la tendresse, l’oubli et le souvenir, l’homme et la femme, l’amour et la haine, dehors et dedans, l’ombre et la lumière, lointain et pourtant si proche. J’ai vu mon pays comme un no man’s land. La narration est ouverte et encourage le spectateur à écrire une histoire, celle du passé bulgare oublié et du présent de la réalité post-soviétique. » http://www.artsper.com/oeuvres-d-art-contemporain/Photographie/1715/pantheon-budludja-project-amnesia

Official Photo

Cambodian Ambassador Nay Valentin and Princess Sokhim Nay with Mao Zedong and Zhou Enlai

Official diplomatic photograph depicting Cambodian Ambassador to China Nay Valentin and Princess Sokhim Nay during a high-level meeting with Chairman Mao Zedong and Premier Zhou Enlai, accompanied by senior Chinese political and military officials. The photograph dates to circa 1969–1970, during the final phase of Prince Norodom Sihanouk’s rule and immediately preceding the Cambodian Civil War. It documents direct diplomatic engagement between Cambodia and the People’s Republic of China at a critical geopolitical moment. The presence of Zhou Enlai is independently corroborated by academic sources referencing direct communication with Ambassador Nay Valentin during this period. Refer to China and the Vietnam Wars, 1950-1975 by Qiang Zhai Provenance: Family archive (Valentin Nay & Sokhim Nay) Center: Mao Zedong Right of Mao (woman): my grandmother Sokhim NAY Left of Mao (man): my grandfather Valentin NAY Second from left: Zhou Enlai (confirmed) The remaining two figures, Likely candidates (based on date 1969–70): Zhu De (Marshal, senior CCP figure) Lin Biao (Mao’s designated successor until 1971)

China.Unknown.Family Photo

Agathe Pitié

Apocalypse

Exhibitions: 17 may 2014 to 31 august 2014: Modern Art museum - Saint Etienne (France) 18 january 2013 to 2 march 2013: Public Art gallery "de l'Escale" - Levallois (France) 2011: Slick Art Fair - Paris (France)

France.Agathe Pitié.1

Agathe Pitié

Le Jugement Dernier

Exhibitions: 17 may 2014 to 31 august 2014: Modern Art museum - Saint Etienne (France)

France.Agathe Pitié.2

Agathe Pitié

Les yeux de la mer (Tryptique)

Exhibitions: 17 may 2014 to 31 august 2014: Modern Art museum - Saint Etienne (France)

France.Agathe Pitié.3

Agathe Pitié

La Mesnieye Hennequin (5 panels)

« La Mesnieye Hennequin », 2013, suite de 5 bois gravés 50x50cm chacun / numérotés à 5 exemplaires signés

Benjamin Bruneau

Soucoupe n3

Acrylique et collage sur papier , "Soucoupe N:3", 36 x 53 cm, galerie Loraine Baud(http://www.galerielorainebaud.com/), de Benjamin Bruneau. http://benjaminbruneau.free.fr/

Carole Benzaken

Lost Paradise F

Peinture de C.Benzaken, "Lost Paradise F", 2008. http://www.carolebenzaken.com/

France.Carole Benzaken.1

Carole Benzaken

Ecclésiaste 7:24, V

Litographie « Ecclésiaste 7:24, V » de Carole Benzaken, 2006, 5/30 , 76,5 x 119 cm, http://www.carolebenzaken.com/

Christian Bonnefoi

Untitled

Collage, sans titre (2008), 24,5 x 18 cm, de Christian Bonnefoi. http://christian-bonnefoi.com/

Christian Bonnefoi

Untitled 03/00

Collage, sans titre 03/00 (2000), 43 x 27,5 cm, galerie Veronique Smagghe

France.Christian Bonnefoi.2

Claude Como

Red Shadow

Red Shadow - Serie Les Trophées de la Peinture Une référence à L’histoire de l’Art C’est la puissance de la peinture qui est mise en évidence dans les œuvres de Claude Como. Que l’artiste place le spectateur face à la vision frontale d’une vague monumentale, d’un portrait en flottaison dans la densité de la couleur, de la force d’un volcan en éruption ou d’un visage au format de miniature flamande, l’effet pictural est toujours saisissant. Le sujet est mis à distance pour mieux montrer ce qu’est la peinture. Le sens narratif, dramatique, politique, le « vouloir dire du peintre » sont remisés au profit d’une célébration de la peinture en temps que médium. Les tableaux de Claude Como sont dans un espace-temps suspendu, concentré sur la surface peinte. Formats panoramiques, petits tableaux de chevalet, paysages, portraits, sur toile, sur papier … Les peintures de Claude Como sont un questionnement sur l’image, l’époque, les chef-d ’œuvres, les modes de représentation, les motifs, la couleur, le goût, la beauté.

Claude Como

Tiny Landscapes #1

Serie Tiny Landscapes

Claude Como

Tiny Landscapes #2

Serie Tiny Landscapes

Delphine Gigoux Martin

Pictor Constellation and sculptor Constellation

Exhibitions: "De leur temps 4" - 11 october 2013 to 5 january 2014 - Nantes (France) “Delphine Gigoux-Martin frequently uses the symbol of the animal, like a fairy tale, a cruel fable or a metaphor. Delphine Gigoux-Martin is an artist who uses drawing outside the traditional format of the paper. She superimposes several representation techniques as sculptures in different materials, porcelain or taxidermy, drawings, wall drawings, animated video projections, Chinese shadow, electric motors ... in her art installations. This blending of techniques and narratives allows her to reconnect and re-arrange different levels of perception to deliver another relationship to the world. In her work, the absurdity of our relationship with nature is immediately noticeable.” Marie Guilhot Voyant –Metropolis Gallery “Along the effects of voluntary gaps between forms of expression and narrative emerges a kind of intellectual anamorphosis.” Claude d’Anthenaise - Chief Curator of the Museum of Hunting and Nature - Monograph: « Mémoires minuscules » Lienart edition 2011

Delphine Gigoux Martin

Bébé Chouette - Réalisé pour la naissance de Constance

Réalisé pour la naissance de Constance Commissioned to mark the birth of Constance Combines constellation symbolism with animal imagery

Delphine Gigoux Martin

le hérisson et la constellation de Constance

Réalisé pour la naissance de Constance

Delphine Gigoux Martin

La baleine et la constellation de Constance

Réalisé pour la naissance de Constance

Delphine Gigoux Martin

Lots of Photographies with drawings on top from the artist using grattage

Lot of vintage photographies with intervention / drawing from the artist

Domitille Ortès

La Mariée

"La Mariée" Tirage jet d'encre sur papier Hahnemühle Photo Rag 308g. 2010. 59,4 x 42 cm. Domitille ORTES Artiste plasticienne née en 1968. Vit et travaille à Paris (France). Diplômée de l'École Nationale Supérieure des Beaux-Arts de Paris (avec les félicitations du jury). Les trois visuels présentés sont issus de la série "Chrysalide", combinaison de réflexions et de sensations qui oscillent entre intime et quête formelle. Cette série s'inscrit dans une double recherche iconographique, à travers le corps qui varie entre mise en scène et intériorité, et le paysage sous sa forme allégorique. Ces recherches interrogent essentiellement l'humain, le féminin, même lorsque le sujet est un paysage. Elles parlent plus précisément de la construction identitaire, du glissement d'un état vers un autre, qui occasionne le plus souvent une perte de repères. Certaines images sont présentées à l'envers, d'autres encore utilisent le miroir comme révélateur de la psyché. Elles se chargent alors d'instabilité, d'irréalité, intriguent à faire vaciller la perception du spectateur. Expositions récentes: 2013 fotofever, photography art fair, Little Birds Gallery, Paris (France) / fotofever, photography art fair, Little Birds Gallery, Bruxelles (Belgique) Collections publiques: Fonds National d'Art Contemporain, Paris (France)

Domitille Ortès

La Mariée

Domitille Ortès

Tête à coiffer

Gerard Garouste

Don Quichotte 1

Lithographie signée de G.Garouste, édité par Diane de Selliers (http://www.editionsdianedeselliers.com/).

Gerard Garouste

Don Quichotte 2

Johann Rivat

Uncivilized

Graphite drawing depicting a silhouetted figure against a chaotic urban night scene, with visual references to civil unrest (burning environment) and consumer culture (McDonald’s logo). The work reflects themes of violence, identity, and societal contradiction in contemporary urban environments.

Julie Polidoro

Sum of present moments VI

http://juliepolidoro.com

Julien Spianti

Il sintomo come croce

http://julienspianti.com

Marlene Mocquet

L'oeuf peinture

Marlene Mocquet

Le crapaud qui voulait voler

Michel Janvier

Rantanplan

Planche originale de la bande dessinée RANTANPLAN. Travail à l’encre de chine signé Michel JANVIER. Taille : 32x22 Acquis à la galerie Napoleon. http://galerienapoleon.com/

Michel Janvier

Rantanplan

Planche originale de la bande dessinée RANTANPLAN. Travail à l’encre de chine signé Michel JANVIER. Taille : 32x22 Acquis à la galerie Napoleon. http://galerienapoleon.com/

Jean Louis Pesch

Sylvain et Sylvette, Bonjour petit phoque

Patrick Frilet

Retour aux sources

Photographie signée de P.Frilet, "Retour aux sources", 1993

Pierre Soulages

Soupçons du noir

Sérigraphie "Soupçons du noir #70/90", de Pierre Soulages, 27x20, http://www.pierre-soulages.com/

Jan Voss

Un pas devant l'autre

Portfolio de 44 pages Tirage numéroté de 1 à 45 et signé par l’artiste et l’auteur, enrichi d’une gravure sur bois et d’un dessin originales de Jan Voss Jan Voss est peintre, sculpteur et graveur. Né à Hambourg en 1936, il vit et travaille à Paris. Sa première exposition personnelle a lieu en 1963. Il expose ensuite avec le groupe de la Figuration narrative puis s'en éloigne. Dans ses toiles, il tente de rendre compte d'une réalité quotidienne en inventant des histoires et additionne, superpose des objets usuels, animaux, végétaux, silhouettes d'hommes et de femmes.

Sasha Hastiles

Collage Poem

NFT.Sasha Stiles.1.Collage Poem

Sasha Hastiles

THE ORCHID CAGE IX

NFT.Sasha Stiles.2.THE ORCHID CAGE IX

Ivona Tau

CITY LIFE 2

NFT.Ivona Tau.4.CITY LIFE 2

Ivona Tau

Mythic Latent Glitches #282

NFT.Ivona Tau.3.Mythic Latent Glitches #282

iRyanBell

Fragments of a Wave #237

NFT.iRyanBell.1.Fragments of a Wave #237

BBM

2013 BBM ROOKIE EDITION PREMIUM ROOKIE CARD SHOHEI OHTANI #RP19

PSA.BBM.1.2013 BBM ROOKIE EDITION PREMIUM ROOKIE CARD Ohtani #RP19

BBM

2013 BBM ROOKIE EDITION PREMIUM ROOKIE CARD SHOHEI OHTANI #RP43

PSA.BBM.2.2013 BBM ROOKIE EDITION PREMIUM ROOKIE CARD Ohtani #RP43

BBM

2017 BBM 1ST VERSION Yamamoto #RP157

PSA.BBM.1.2017 BBM 1ST VERSION Yamamoto #RP157

Topps

2018 TOPPS CHROME PITCHING ROOKIE CARD #150

PSA.TOPPS.3.2018 TOPPS CHROME PITCHING ROOKIE CARD Ohtani #150

Topps

2024 TOPPS FINEST FINEST AUTOGRAPHS REFRACTOR #FAYY Yamamoto

PSA.TOPPS.1.2024 TOPPS FINEST FINEST AUTOGRAPHS REFRACTOR #FAYY Yamamoto

Ivona Tau

Time Still III

NFT.Ivona Tau.4.Time Still III

Ana Maria Caballero

Bathroom Talk

NFT.Ana Maria Caballero.1.Bathroom Talk

Laurence Fuller

1616 ~ Shakespeare’s Last Day

NFT.Laurence Fuller.1.1616 Shakespeare’s Last Day

Anand Shyam

Stag/Deers

Anand Shyam

Stag/Deers 2

Anand Shyam

Stag/Deers 3

Balu Mashe

Fishman

Tribu Warli, Balu Mashe, 2009, acrylique sur toile, 91 x70 cm.

India.Balu Mashe.1

Balu Mashe

Untitled

Balu Mashe

Untitled

Balu Mashe

Untitled

India.Balu Mashe.4

Balu Mashe

Untitled

Balu Mashe

Untitled

Balu Mashe

Untitled

Balu Mashe

Untitled

India.Balu Mashe.8

Balu Mashe

Untitled

Balu Mashe

Untitled

Balu Mashe

Untitled

India.Balu Mashe.11

Balu Mashe

Untitled

India.Balu Mashe.12

Balu Mashe

Untitled

Balu Mashe

Untitled

Balu Mashe

Untitled

Balu Mashe

Untitled

Balu Mashe

Untitled

Bhajju Shyam

Jalhari Mata

India.Bhajju Shyam.1

Bhajju Shyam

Vasudev-Krishna

India.Bhajju Shyam.2

Bhajju Shyam

Untitled

Bhajju Shyam

Untitled

Bhajju Shyam

Mermaid

Bhajju Shyam

Untitled

Bhajju Shyam

Untitled

Bhajju Shyam

Untitled

Bhajju Shyam

Untitled

Bhajju Shyam

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

India.Bhuri Bai.7

Bhuri Bai

Prayers

Peinture de Bhoori Bai, "Prayers", 2007, Acrylique sur toile, 61 x 77 cm

India.Bhuri Bai.8

Bhuri Bai

Rain

Peinture de Bhoori Bai, "Rain", 2007, Acrylique sur toile, 61 x 77 cm

India.Bhuri Bai.9

Bhuri Bai

Untitled

Clement Larraufie Collection

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Bhuri Bai

Untitled

Channo Devi

Untitled

Traditional Madhubani painting depicting a central domestic or ritual scene surrounded by dense vegetal and animal motifs, characteristic of Mithila iconography. The composition integrates symbolic birds, trees, and human figures in a structured narrative format typical of ceremonial and storytelling traditions.

India.Channo Devi.1

Durga Bai

Untitled

India.Durga Bai.1

Durga Bai

Unknown

Durga Bai

Unknown

Subhash Vyam

Unknown

Durga Bai's husband

Heeraman Urwati

Village scene

The painter won the Jangarh Shyam award with a similar painting

India.Heeraman Urwati.1

Jangarh Singh Shyam

Untitled - Sanglier et oiseau

India.Jangarh Singh Shyam.1

Jangarh Singh Shyam

Untitled - Monkey

India.Jangarh Singh Shyam.2

Jangarh Singh Shyam

Untitled - Bird

India.Jangarh Singh Shyam.3

Jangarh Singh Shyam

Untitled - Cerf

India.Jangarh Singh Shyam.4

Jangarh Singh Shyam

Untitled - Bird 1

India.Jangarh Singh Shyam.5

Jangarh Singh Shyam

Untitled - Bird 2

India.Jangarh Singh Shyam.6

Jangarh Singh Shyam

Untitled - Bird

India.Jangarh Singh Shyam.7

Japani Shyam

Mermaid

Jivya Soma Mashe

Fox

Tribu Warli, Jivya Soma Mashe, Fox 2008, acrylique et bouse de vache sur toile, 33x45 cm.

India.Jivya Soma Mashe.1

Jivya Soma Mashe

Untitled - Forest

Jivya Soma Mashe

Untitled - Dance circle

Jivya Soma Mashe

Untitled

Jivya Soma Mashe

Untitled - Snake

Jivya Soma Mashe

Train

India.Jivya Soma Mashe.6

Jivya Soma Mashe

Ants Spirale

India.Jivya Soma Mashe.7

Jivya Soma Mashe

Double Fisher man

India.Jivya Soma Mashe.8

Manki Bapu Wayada

Untitled

Warli Painting

Nankusia Shyam

Reptiles

India.Nankusia Shyam.1

Pravin Mashe

Untitled

Tribu Warli, Pravin Balu Mashe, 2009, acrylique sur toile, 75x56,5 cm.

Sadashiv Mashe

Ants Spirale

Tribu Warli, Vijay Sadashiv Mashe, Ants Spirale 2009, acrylique et bouse de vache sur toile, 87x108 cm.

India.Sadashiv Mashe.1

Sadashiv Mashe

Untitled - Snake and Ants circle

Sadashiv Mashe

Untitled - Fields

Sadashiv Mashe

Untitled - Divinities

Shambu Dayal Shyam

Tiger and peacock

Gond artist

Shantaram Chintya Tumbada

Autel du dieu tigre

Tribu Warli, Shantaram Chintya Tumbada, Autel du dieu tigre, 1998, acrylique sur papier, 96x55cm.

Subhash Bhil

Untitled - Men

Bhil artist

Subhash Bhil

Untitled - Snake and Bird

Bhil artist

Urmila Devi

Untitled

Madhubani painting depicting a central tree-of-life composition populated with birds and animals, with a lower narrative register illustrating human and aquatic interaction. The work reflects traditional Mithila iconography with dense linework and monochrome palette.

Unkown

Set of narrative scroll paintings (Patua tradition)

Patua Collected for the Book Patuas and Patua art in Bengal - Hardcover By McCutchion, David; Bhowmik; McCutchion 9788171020614: Patuas and Patua art in Bengal ISBN 10: 8171020615 ISBN 13: 9788171020614 Publisher: Firma KLM, 1999 The book "Patuas and Patua Art in Bengal" (1999) by David McCutchion and Suhrid K. Bhowmik is a pioneering study that documents the life, socio-religious identity, and narrative traditions of scroll painters (Patuas) in West Bengal. David McCutchion, a scholar known for his work on Bengal's terracotta temples, began collecting these scrolls in the 1960s. Unique Feature: Each copy of the original 1999 hardcover published by Firma KLM reportedly contains an original scroll painting. Historical Legacy: McCutchion’s research was cut short by his death in 1972; his student, Suhrid Kumar Bhowmik, completed the study using McCutchion's notes and extensive collection. Current Location: Most of the physical scrolls McCutchion collected were bequeathed to the Herbert Art Gallery & Museum in Coventry, England

Unkown

Set of narrative scroll paintings (Patua tradition)

See India.Patua.1

Unkown

Set of narrative scroll paintings (Patua tradition)

See India.Patua.1

Unkown

Set of narrative scroll paintings (Patua tradition)

See India.Patua.1

Unkown

Set of narrative scroll paintings (Patua tradition)

See India.Patua.1

Unkown

Set of narrative scroll paintings (Patua tradition)

See India.Patua.1

India.Patua.6

Unkown

Set of narrative scroll paintings (Patua tradition)

See India.Patua.1

Unkown

Set of narrative scroll paintings (Patua tradition)

See India.Patua.1

India.Patua.8

Unkown

Narrative scroll paintings (Patua tradition)

?

Unkown

Narrative scroll paintings (Patua tradition)

?

Unkown

Narrative scroll paintings (Patua tradition)

?

Unkown

Narrative scroll paintings (Patua tradition)

?

Unkown

Narrative scroll paintings (Patua tradition)

?

Adama Kouyaté

Portrait of Benjamin Nay (collectioneur)

Contemporary studio portrait produced in the tradition of West African studio photography, referencing Kouyaté’s lifelong practice of staged portraiture and identity construction. Photo taken during the session in the Art Gallery Jean Brolly in May 2011.

Mali.Adama Kouyaté.1

Adama Kouyaté

Portrait of Bellin Family

Multi-generational portrait integrating traditional studio aesthetics with contemporary family identity, reinforcing continuity between African portrait traditions and modern diasporic narratives. Photo taken during the session in the Art Gallery Jean Brolly in May 2011. From Left to right: Benjamin Nay (son - collector), Anne-Lise Bellin (Mother of Benjamin and Deborah), Eliott Martinuzzo (son of Deborah and Guillaume), Deborah Brunier (daughter of Anne-Lise and spouse of Guillaume), Guillaume Martinuzzo (Deborah's husband)

Adama Kouyaté

Les mineuses, 1971

Representative example of Kouyaté’s iconic studio practice in post-colonial Mali, documenting youth identity and social expression through stylized portraiture.

Mali.Adama Kouyaté.3

Artiste Sépik

Grande flûte sacrée

Grande flûte sacrée sur son socle traditionnel. La richesse de l'art du Sépik réside dans la capacité à multiplier le sens des objets. Ici, la sculpture du bouchon représente un ancêtre qui joue d'un instrument exactement semblable. Le corps de l'instrument est orné des motifs incisés des 3 visages des Pères fondateurs du Clan et de vanneries. Le socle en bois et vannerie est orné de plumes de casoar. Matériaux : bois dur, bois de bambou, coquillages, vannerie de rotin, plumes et pigments naturels. H: 159 cm ; Diam : 10 cm. Collectée dans les années 80 en Papouasie. Acquise lors de la vente Océanie via la galerie Metropolis.

Oceanic.Artiste Sépik.1

Artiste Sépik

Figure de proue du peuple Iatmul

Figure de proue du peuple Iatmul, moyen Sépik. Importante sculpture d'une tête de crocodile tenant un poisson, surmontée d'une tête de phacochère et d'un oiseau calao. Dans la cosmologie Iatmul, le crocodile engendra le monde. Sa machoire infèrieure créa la Terre, et sa machoire supérieure le Ciel. Matériaux : bois dur et coquillage (accidents et traces d'usage). Dim : 85 x 29 x 29 cm Acquise lors de la vente océanie via la galerie Métropolis

Oceanic.Artiste Sépik.2

Wayan Ledang (wayang painting)

Unknown

Mouvement Wayang (Bali) Artiste: Inconnu Peint en 1975 sur soie. From Kamasan, Klungkung, Bali, Indonesia water-based paint on canvas; probably a scene from the Hindu epic Ramayana, with the white monkey Hanoman. Traditional Wayang Painting of Bali Bali is one of the many islands that comprise the nation of Indonesia. While Indonesia is predominantly a Muslim country, Bali has retained its Hindu religion and tradition, giving it a unique culture within Indonesia. Part of that tradition includes the great Hindu epics, the Ramayana, that recounts the deeds of the hero Rama; and the Mahabharata, that describes a war between the five Pandava brothers on one side and the sons of Dhritarashtra on the other. Each of these epics has been illustrated in paintings, both in India and in Bali. One of the painting styles of Bali is known as wayang, meaning "shadow." The term is taken from wayang kulit, Bali's traditional shadow puppet theater that presents Balinese interpretations of the Ramayana and Mahabharata. In wayang painting, the figures resemble the forms of the puppets. This painting tradition developed in the village of Kamasan in eastern Bali, probably around the 16th century. It was associated with the magnificent Hindu royal court in the nearby capital of Gelgel. The artists of Kamasan formerly painted on bark paper but now use canvas or cloth. The subject matter of many wayang paintings focuses on episodes from the Hindu epics, with a particular Balinese interpretation. Thus these are narrative works associated with a literary tradition. Some wayang paintings illustrate traditional stories from the Indian or Balinese traditions The pictorial style of these paintings is colorful, and almost the entire surface of a painting is covered with design. Several scenes in the same painting may be separated by walls, trees, or decorative borders. In the 20th and 21st centuries, the paintings are produced for an international market, but they also still serve their traditional spiritual function as props in temple ceremonies. Characters in wayang paintings can be identified by a precise iconography. For example, the Pandava brothers wear their hair in a long clawlike curve. Bhima, the second brother, wears a black-and-white checkered sarong and has a long curving nail on his right thumb. Gods are enveloped in golden body haloes. Demons have ugly traits, such as splotchy skin. In the 20th century, new styles of painting have developed in Indonesia that do not rely on the traditional epics for subject matter. Scenes from daily life are common. Influences from Western painting have gradually been assimilated. Bibliography Fischer, Joseph, and Thomas Cooper. The Folk Art of Bali: The Narrative Tradition. Kuala Lumpur: Oxford University Press, 1998. Pucci, Idanna. Bhima Swarga: The Balinese Journey of the Soul. Boston: Little, Brown and Company, 1992. Richter, Anne. Arts and Crafts of Indonesia. London: Thames and Hudson, 1993.

Indonesia.Wayan Ledang.1

Unknown (wayang painting)

Unknown

Mouvement Wayang (Bali) Artiste: Inconnu Peint en 1975 sur soie. From Kamasan, Klungkung, Bali, Indonesia water-based paint on canvas; probably a scene from the Hindu epic Ramayana, with the white monkey Hanoman. Traditional Wayang Painting of Bali Bali is one of the many islands that comprise the nation of Indonesia. While Indonesia is predominantly a Muslim country, Bali has retained its Hindu religion and tradition, giving it a unique culture within Indonesia. Part of that tradition includes the great Hindu epics, the Ramayana, that recounts the deeds of the hero Rama; and the Mahabharata, that describes a war between the five Pandava brothers on one side and the sons of Dhritarashtra on the other. Each of these epics has been illustrated in paintings, both in India and in Bali. One of the painting styles of Bali is known as wayang, meaning "shadow." The term is taken from wayang kulit, Bali's traditional shadow puppet theater that presents Balinese interpretations of the Ramayana and Mahabharata. In wayang painting, the figures resemble the forms of the puppets. This painting tradition developed in the village of Kamasan in eastern Bali, probably around the 16th century. It was associated with the magnificent Hindu royal court in the nearby capital of Gelgel. The artists of Kamasan formerly painted on bark paper but now use canvas or cloth. The subject matter of many wayang paintings focuses on episodes from the Hindu epics, with a particular Balinese interpretation. Thus these are narrative works associated with a literary tradition. Some wayang paintings illustrate traditional stories from the Indian or Balinese traditions The pictorial style of these paintings is colorful, and almost the entire surface of a painting is covered with design. Several scenes in the same painting may be separated by walls, trees, or decorative borders. In the 20th and 21st centuries, the paintings are produced for an international market, but they also still serve their traditional spiritual function as props in temple ceremonies. Characters in wayang paintings can be identified by a precise iconography. For example, the Pandava brothers wear their hair in a long clawlike curve. Bhima, the second brother, wears a black-and-white checkered sarong and has a long curving nail on his right thumb. Gods are enveloped in golden body haloes. Demons have ugly traits, such as splotchy skin. In the 20th century, new styles of painting have developed in Indonesia that do not rely on the traditional epics for subject matter. Scenes from daily life are common. Influences from Western painting have gradually been assimilated. Bibliography Fischer, Joseph, and Thomas Cooper. The Folk Art of Bali: The Narrative Tradition. Kuala Lumpur: Oxford University Press, 1998. Pucci, Idanna. Bhima Swarga: The Balinese Journey of the Soul. Boston: Little, Brown and Company, 1992. Richter, Anne. Arts and Crafts of Indonesia. London: Thames and Hudson, 1993.

Chiharu Shiota

state of being #20

Sculpture en acier, fils et lunettes d'aviateur, "state of being #20" de chiharu shiota, 30x30x30, 2009, galerie Christophe gaillard (http://www.galerie-gaillard.com/), site artiste : http://www.chiharu-shiota.com/

Japan.Chiharu Shiota.1

Chiharu Shiota

Untitled

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Chiharu Shiota

Untitled

Chiharu Shiota

Catalogue exposition

Catalogue de la 1ere exposition chez la Galerie Christophe Gaillard. Edition Limitée avec dessin sur la 1ere page de style Connection with Universe

Motoi Yamamoto

Labyrinth

http://www.motoi.biz/english/e_top/e_top.html

Daidō Moriyama

Self-Portrait (sérigraphie réalisé par Benjamin Nay sous la supervision de l'artiste)

Daido Moriyama - The Silkscreen workshop "Je suis toujours ému lorsque je crée cet espace d'interaction immédiate. C'est un moment de communication avec le public par la photographie." - Daido Moriyama Participez à un workshop exceptionnel avec le grand maître de la photographie japonaise Daido Moriyama. 1. choisissez votre papier et votre photographie * 2. tirez-la en sérigraphie, format 60x80 cm, avec l'aide de Daido Moriyama et son équipe 3. repartez avec votre oeuvre numérotée et signée par Daido Moriyama Prix du billet, incluant votre sérigraphie : 120 euros Samedi 15 décembre, à la galerie Polka, entre 12h et 19h. Work produced during a public silkscreen workshop led by Daidō Moriyama, where participants created prints under the supervision of the artist. The final work is signed and numbered by Moriyama.

Ishinomori Shotaro

Cyborg 009 - 39

Cyborg 009, storyboard original (1979) de l'épisode 39. #39　storyboard 「大根役者に乾杯!」

Japan.Ishinomori Shotaro.1

Ishinomori Shotaro

Cyborg 009 - 39

Cyborg 009, storyboard original (1979) de l'épisode ??. #??　storyboard 「大根役者に乾杯!」

Adachi Mitsuru

H2 Storyboard

Adachi Mitsuru

H2 Storyboard

Yoshihiro Tatsumi

Manga

辰巳ヨシヒロ イラストサイン本「乾いた季節」1巻 小口ヤケ。B6 秋田書店 1990.7.15初版 定価485円+税

KOMURO Kotarou

Untitled - Orange Mecanique

小室孝太郎　原画　「アウターレック」 1973年週刊少年ジャンプ連載「アウターレック」扉絵。額装のため、裏面テープ貼り付けあり。額小イタミ、箱なし

KOMURO Kotarou

Untitled - Orange Mecanique 2

小室孝太郎　原画　「アウターレック」 1973年週刊少年ジャンプ連載「アウターレック」扉絵。額装のため、裏面テープ貼り付けあり。額小イタミ、箱なし

Tsukasa Enomoto

Manga

Piaキャロットへようこそ!!2DX　セル画 キャラ名：榎本つかさ セルNo.A-10,A-10',C-7,D-11 コメント:セル貼り付きあり

Asahi Mitsuru

Manga

Asahi Mitsuru

Manga

Hokusai Katsushika

Manpuku Wagô

Manpuku Wagô - Jin Couple de dieux pour le bonheur du mariage. 1821 (selon Hillier) Format : chuban, sukuro-toji H_22,3 cm L_15,6 cm Provenance : Pierre Louys, Huguette Berès. Usure sur la partie inférieure des feuilles. Fine impression and colour. Vente PBA Septembre 2010

Japan.Hokusai Katsushika.1

Hokusai Katsushika

1820 HOKUSAI Shunga #5 Tamakazura Series

Probably Later edition (Meiji)

Hokusai Katsushika

1820 HOKUSAI Shunga #6 Tamakazura Series

Probably Later edition (Meiji)

Japan.Hokusai Katsushika.3

Hokusai Katsushika

1820 HOKUSAI Shunga #8 Tamakazura Series

Probably Later edition (Meiji)

Hokusai Katsushika

1820 HOKUSAI Shunga #10 Tamakazura Series

Probably Later edition (Meiji)

Japan.Hokusai Katsushika.5

Yoichi Itakura

A battle of a frog mountain

Yoichi Itakura

Momotaro

Yumiko Igarashi

Planche finale du manga Georgie

Yumiko Igarashi, planche originale du manga Georgie. Planche finale du manga.

Japan.Yumiko Igarashi.1

Eric Winarto

BLACKLIGHT SELVA

Eric Winarto, BLACKLIGHT SELVA, 2010, acrylique fluorescent sur toile, lumière noire, 65 x 50 cm

Eric Winarto

Arbre diagonal

Eric Winarto

Untitled

Alfredo Vilchis Roque

Ex votos - Obama USA

En remerciement à la Vierge de Guadalupe, pour l'election d'Obama, et en lui demandant de proteger la liberté aux Etats-Unis.

Mexico.Alfredo Vilchis Roque.1

Angel Santos

Hérisson (Armadillo)

Hérisson (Armadillo), argile peinte de Angel Santos (Angel Carranza Award 2009). Provenance de Tonala, Jalisco au Mexique.

Hugo Vilchis

Ex votos - Ane

Mexico.Hugo Vilchis.1

Luis Vilchis

Ex votos - Bull

En remerciement à la Vierge de Guadalupe, pour avoir éviter la mort de son fils Daniel. Puisque lorsque le le taureau s'est échappé, il s'est jeté sur son cochon.

Mexico.Luis Vilchis.1

Luis Vilchis

Ex votos - Brothers

En remerciement au saint Ninito de Las Suertes, pour lui avoir permis de retrouver son frere drogué, après qu'il ait promis à ses parents décédés de veiller sur lui.

Ernesto Casero

Untitled

Nicolas Le Moigne

Trash Cube

Martin Parr

Portrait of Benjamin Nay (collectioneur)

Series: Magnum Paris Portrait Session (201x) Series of portraits taken during a public Magnum Photos session in Paris, featuring interpretations of the same subject by three major contemporary photographers (Martin Parr, Bruce Gilden, Jim Goldberg). The series highlights differences in photographic approach, authorship, and narrative construction.

UK.Martin Parr.1

Peter Doig

Canoe

Lithographie sur arches, épreuve signée et numérotée sur 500

Art Spiegelman

The New Yorker, Ground Zero

Bruce Gilden

Portrait of Benjamin Nay (collectioneur)

Series: Magnum Paris Portrait Session (201x) Series of portraits taken during a public Magnum Photos session in Paris, featuring interpretations of the same subject by three major contemporary photographers (Martin Parr, Bruce Gilden, Jim Goldberg). The series highlights differences in photographic approach, authorship, and narrative construction.

USA.Bruce Gilden.1

Carl Barks

Prel.Junior Woodchok Story comic-page

http://www.seriesam.com/barks/art_dsr.html

USA.Carl Barks.1

Carl Barks

David Duck vs Goliath Goose

http://www.seriesam.com/barks/art_ndw.html#awbfw7807

USA.Carl Barks.2

Jim Goldberg

Portrait of Benjamin Nay (collectioneur)

Series: Magnum Paris Portrait Session (201x) Series of portraits taken during a public Magnum Photos session in Paris, featuring interpretations of the same subject by three major contemporary photographers (Martin Parr, Bruce Gilden, Jim Goldberg). The series highlights differences in photographic approach, authorship, and narrative construction.

USA.Jim Goldberg.1

Jim Goldberg

Portrait of Benjamin Nay (collectioneur)

Series: Magnum Paris Portrait Session (201x) Series of portraits taken during a public Magnum Photos session in Paris, featuring interpretations of the same subject by three major contemporary photographers (Martin Parr, Bruce Gilden, Jim Goldberg). The series highlights differences in photographic approach, authorship, and narrative construction.

Wim Wenders

After US presidential

Edition Limitée Livre coffret avec photographie #1

Steve Oliff

Akira Vol 2 P 129

Steve Oliff

Akira Vol 2 P 166

Steve Oliff

Akira Vol 5 P 121

Steve Oliff

Akira Vol 5 P 243

Steve Oliff

Akira Vol 5 P 279

Steve Oliff

Akira Vol 5 P 410

Steve Oliff

Akira Vol ? P ?

USA.Steve Oliff.7

Steve Oliff

Akira Vol 5 P 24

USA.Steve Oliff.8

Steve Oliff

Akira Vol 5 P 120

Steve Oliff

Akira Vol 6 P 71

Steve Oliff

Akira Vol ? P ?